In curating my virtual exhibit, I found that the first step
required was to develop a theme. There
are countless works of art from a wide array of media and narrowing the field
by the theme made the rest of the project much simpler. With a theme in mind, I was able to select
only those works of art that fit neatly within that scope and not waste time
looking up label information for works that I found intriguing, but would not
be used. Because I developed a theme
that deeply appealed to me, I was able to select paintings that also appealed
to me. This is what came naturally. I simply let my emotions do the choosing. I initially selected more than required, in
case I could not find all the required information. The most challenging part of the assignment
was locating statements on the work by credible sources. In fact, not all of my works chosen had such
comments available in the time allotted.
However, since I had ten paintings that all fit nicely into my theme, I
decided to keep them without the comments.
As I continued along the task of finding, identifying, and
selecting the works of art to be displayed in my exhibit, I realized that I do
not envy the curator’s job. I found the
assignment to be time consuming and often had to eliminate a painting that I
was particularly fond of because I could not locate enough information on
either the artist or the work itself. If
I had such difficulty with just ten, I can only imagine how taxing the life of
a curator must be. It is even more so
when one considers the price of some of the works of art, limited space
available, and having to appeal to a wide range of tastes in art.
I enjoyed the process of looking at paintings within my
chosen theme. I did find several artists
whose work I have a greater appreciation for.
One in particular, Ray Ellis, had several paintings that would have
easily made the cut in my exhibit.
Unfortunately, I was able to locate neither the images on-line nor the
label information. I hope you enjoyed
the paintings that I did select for you.
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